October
2 'Watchmen' preview pleases

Yesterday, WB and director Zack Snyder showed some 25 minutes of unfinished footage from Watchmen to various members of the press. While I didn't see the footage, the reports coming in are impressive.

From Variety's Marc Graser:

The visuals are stunning. With Watchmen, he’s created a faithful adaptation of Alan Moore’s graphic novel that will satisfy fans. The characters pop off the screen; you can almost feel the texture of their suits, meticulously designed by Michael Wilkinson. The production design by Alex McDowell is overly theatrical but a world you want to visit. Overall, the sequences are mesmerizing and almost trance-like. And it’s dark. Very dark. The Dark Knight has nothing on the grit and violence that’s on screen. But it’s the over-stylized nature of how it’s handled that doesn’t make it cringe-worthy or unwatchable.

From AICN:

Moore's tome has not humbled Snyder; it's emboldened him. Whereas Snyder seemed committed to channeling Frank Miller's 300 directly from the page to the screen (with every thrust and decapitation intact), he's bravely added his own flourishes to WATCHMEN. Aside from the music, which adroitly evokes the era (KOYAANISQATSI was very much a 1980s Cold War creation), he's also made reference to the most influential movies of our time. When you see Nixon in the War Room, it's Kubrick's War Room; when Dr. Manhattan is brutally taming Vietnam, it's Coppola's Vietnam (though, according to production designer Alex McDowell, minor stylistic alterations, like the shape of the overhead lights in the War Room, were necessary to avoid legal dust-ups*). Snyder may not be a stranger to audaciousness (he did, after all, remake DAWN OF THE DEAD), but this is the first time I've sensed him in the work. And I think this reconfiguring of classic cinematic tropes is a potentially brilliant idea. Conceptually, it's in keeping with Moore's depiction of pop culture rising up against (or knuckling under) the encroachment of full-blown authoritarianism; hell, I think the notoriously cranky writer might even approve of some of these changes.

And The New York Times:

The scenes on display Wednesday spared nothing when it comes to the messy side of the super life. One scene in the R-rated film has an unclothed pair of heroes lounging in their high-powered “Owl Ship” after a love-making session. Another focused on the gore-spattered ceiling left behind by some super-action.

In all, the scenes gave a much deeper look at the film than did the extended trailer Mr. Snyder showed at the Comic-Con comics and fantasy convention in San Diego last summer. Indeed, a 12-minute credits sequence retold American history from the 1930s to the 1970s, as if heroes — good, and not so — had driven the action.

The Times also reports that the current running time for the pic is 2 hours and 43 minutes, with Snyder saying he'll defend that all the way. And the topic of the Fox lawsuit evoked the usual deflections and statements of being focused on finishing the film for its planned March 6 release.