Character depth keeps post-Carell 'Office' ticking
"Yes, 'The Office' is still worth watching."
I was surprised to find that I had to say this out loud twice in the last week to folks who had taken stock of the NBC comedy's first three episodes this season and decided they had seen all they need to see.
Before its first full season without Steve Carell began, I was prepared for people to be disappointed in "The Office." But to me, all three episodes have been solid, with enough of the priceless moments that are ultimately the keys to keeping a show indispensable.
Though there has been no shortage of out-loud laughs, some of the real highlights have been more serious than satirical, in a fashion that has always been part of the show's reason for being.
The season premiere featured a clever, resonating monologue from James Spader as newcomer Robert California about controlling your own destiny. Episode two showcased new office manager Andy Bernard (Ed Helms) wrestling with his own insecurities about the job, while last week's offering had a similar crisis of confidence for Darryl (Craig Robinson).
That kind of depth, of interest in character, will always keep me involved.
So while the best episodes might be in the past and while might be more false notes in the present, such as last week's B-plot in the warehouse, the Paul Lieberstein-led writing team has more than proven to me that they can still guide "The Office" toward something worthwhile. At this moment, I'm eager, not ambivalent, to see what comes next.







Variety's Team TV -- Cynthia Littleton, Stu Levine, Jon Weisman, Andrew Wallenstein and A.J. Marechal -- provides a roundup of stories big and small, as well as opinions and analysis from across the TV dial.
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