Sad to learn that Ruth Engelhardt, a legend of the Morris office, died last week at the age of 86.

It would only be a bit of stretch to call WMA the house that Ruth built, because she was the one who crafted the deal points and the contracts for all of those vintage TV shows that help keep the agency's coffers flush. Ruth spent 59 years with WMA. She was the go-to person in TV business affairs back when the business of filmed entertainment series was young, anything was possible and star client Danny Thomas and his partner Sheldon Leonard were turning out hits ("The Andy Griffith Show," "The Dick Van Dyke Show," etc.) faster than Ruth could draw up the contracts.

I got a crash course in TV biz affairs 101 some years ago when I spent about two hours with Ruth in her WMA office for a column about her remarkable career. She recalled that back in the day, she and a few other WMA folks essentially were the business and administrative affairs department for Thomas and Leonard's bustling production company, along with a bunch of other top clients.

She was proud of her role in etching the templates for production, program licensing and, of course, agency packaging pacts that endured largely unchanged until the vertical integration boom of the late 1990s. When we met, she was giddy at the prospect of closing a greeting card licensing deal for one of the old Thomas-Leonard shows. "You wouldn't believe what they're going to pay us," she said with the enthusiasm of a dealmaker on the verge of victory.

POSTED BY JOSEF ADALIAN

Yes, that was Mark Itkin walking around the corridors of CAA Thursday night. But no, the William Morris Agency’s dean of unscripted programming isn’t defecting.

Itkin made a trip to what he called “enemy territory” in order to appear on a CAA/BAFTA-sponsored panel dubbed “Another British Invasion.” Powwow brought together six of the biggest names in the reality biz, ostensibly to discuss the past and future of Blighty-produced TV in the States.

Night actually turned into a broader discussion encompassing the history of the biz and the challenges it faces, with “American Idol” showrunner Nigel Lythgoe (pictured left) moderating a lively hourlong-plus conversation.

Panel also included CAA reality chief Michael Camacho, unscripted superlawyer Jeanne Newman, Fox alternative prexy Mike Darnell, CBS reality guru Ghen Maynard and Lifetime supremo Andrea Wong (who until recently headed up unscripted programming for ABC).

Group of Six repped a sort of Mt. Rushmore of the modern reality age, collectively repping some sort of involvement in just about every major unscripted skein since “The Real World” kicked off the alternative boom.

Itkin talked about putting together the deal for “Real World” (MTV wanted a soap but didn’t have the coin to pay for actors), while Newman (pictured right)outlined how she got all the major nets to bid on “Big Brother.”

“We had a true bidding war, not like the ones we make up,” Newman quipped.

Meet Benji Lessman. He's an agent's agent. No, he's not the toast of the percentery business. He's an agent for agents, proprietor of the Less is More Agency. And he's got his own publicist -- twin publicists, in fact.

If it all sounds absurb, well, it should, because it's the conceit of of "Layers," an inside-showbiz satire series of vid shorts set to debut Sept. 21 on Turner Broadcasting's Superdeluxe comedy broadband net. (Click here for a streaming video sneak of the debut installment.)

"Layers" is the brainchild of twin comics Jason and Randy Sklar (they guested as the battling twin assistants on a recent "Entourage" seg, and they played battling conjoined twins last year on "Grey's Anatomy") and thesp Nick Kroll (pictured above), who is soon to make his primetime series debut on ABC's "Cavemen." Superdeluxe has ordered eight five-minute segs of the trio's sendup of showbiz and its ever-growing entourages.

"I'm passionate about people who are passionate about people," Lessman explains of his vocation. To give the shorts an authentic backdrop of a Wilshire Boulevard talent agency, the shorts were shot at the Sklars' and Kroll's respective management firms, Principato-Young and Thruline Entertainment.

(The debut seg opens with a title card featuring a quote from a recent column by Variety editor-in-chief Peter Bart, but to be crystal clear, Variety has no formal tie to "Layers.")

Lessman was a character that Kroll was doing in his alterna-comedy standup act for a few years. The Sklars (pictured right) met him while they were producing and hosting the ESPN Classic series "Cheap Seats," and they all vowed to work together at some point on something cool. "Layers" kinda fell together earlier this year, and after they shot the first three, Superdeluxe was quick to order five more. They'll roll out once a week on Superdeluxe on Friday nights starting next week.