POSTED BY STUART LEVINE

David Chase answered one of life's most enduring questions Tuesday night. One that has baffled the greatest minds of the last decade.

No, not what came first, the chicken or the egg? Or if a tree falls in a forest and no one is there to hear it, does it make a sound? The real question everyone has been asking, of course, is the one that has eluded the most elite television scholars since May 6, 2001: What happened to the Russian in the woods?

Chase, the creator and voice of "The Sopranos," spoke to a crowd of a few hundred gathered at the Writers' Guild to discuss all things "Sopranos." The event was an homage to Chase, this year's recipient of the Paddy Chayefsky Laurel Award for Television.

Kudos to David Chase, who's getting the Paddy Chayefsky treatment from the Writers Guild of America West.

"The Sopranos" boss will be feted with the Chayefsky laurel for television, recognizing his contributions over a long career, at the WGA West's honors luncheon on April 23.

Chase's "Sopranos" achievement speaks for itself. But let's not forget his early years on the Universal lot. Far as I'm concerned, "The Rockford Files," on which Chase was a key contributor, is in the top 10 of all-time great TV shows (C'mon -- pound for pound, is there a cooler private eye on TV than Jim Rockford?).

"Kolchak: The Night Stalker" also ranks high on the TV fun-meter. It's too bad "Kolchak" star Darren McGavin was in poor health during the "Sopranos" years -- he undoubtedly would've made a great guest shot or two on the HBO drama.

Meanwhile, the Writers Guild Foundation is hosting an "Evening with" Q&A with Chase on April 22 at the Writers Guild Theater in BevHills. Foundation will host a Q&A with Budd "What Makes Sammy Run" Schulberg (pictured right) on April 24, also at the WGA Theater, that will include a screening of Schulberg's "On the Waterfront."

Now this actually makes some sense to me.

"Made in America," the much talked-about series finale of HBO's "Sopranos," was in parts a commentary by creator/capo David Chase on the war in Iraq and the extreme denial (apathy?) that the vast majority of Americans seemingly have toward the carnage that's going on over there every day -- so he sez  in a first-person essay to be published in the December Men of the Year issue of GQ mag. (A GQ publicist was kind enough to send along a sneak peek.)

In Chase's view, it was "Made in America," as in, we've got it made in the shade here in the land of milk and honey, and we've got no clue and don't really care about how the rest of the world feels about us. In it Chase reveals the allegory behind those onion rings and what it would take to get a "Sopranos" movie on track. To wit:

The theme of that episode was “Made in America.” I used that title not only because Tony’s a made guy, and all these guys are made guys, but also because it was about the extreme amount of comfort Americans have, especially people with money. And specifically, it was about the war in Iraq—it was made in America, and as you saw in the show, Tony and Carmela just didn’t want their son to go, and they could afford to see that their son didn’t go. Like some of our leaders.

I felt, and I continue to feel, that our country is in a tremendous crisis right now, and people are focused on onion rings, and as it turns out, they’re focused on onion rings as they appear in the end of "The Sopranos." Not to get too didactic about it, but it was really sort of about how we are going about our amply fed, luxury-car life here, and the world is going to hell and we’re under tremendous threat. And people don’t want to see it.

Some Emmy tidbits I really should have written up Sunday night before going off to parties:

Consistency, thy name is David Chase. "It's open to interpretation," the "Sopranos" creator said backstage at the Emmys when asked, inevitably and more than once, about the series' famed blackout finale. In a convoluted way, after being pressed by multiple questioners, Chase seemed to say that he knew in his mind what happened to the family, but he had no intention of sharing it with the intimate room full 200 or so reporters. Chase did say that he'd had the notion to take the show out in the way that he did for a long time....

Earlier in the night Alan Taylor told us backstage scribblers that Chase was pleased by the fact that even members of "Sopranos'" production crew debated what the finale really meant. Chase wanted it to be something people would chew over and talk about, Taylor said...

And as for the Emmy snub of James Gandolfini after the tour de force he turned in? Paulie Walnuts had his back, backstage on Sunday. "I think it was a shame. He should've won tonight...but we won all around (for drama series)," Tony Sirico (pictured right) said. "We've been honored. I speak for Jimmy when I say he can handle it." .....

America Ferrera was such a doll in the backstage quip room. She displayed her usual humility and gratitude for the career-making break that "Ugly Betty" has been for her. And she's happy that her star turn has come on a show that is light and frothy on the outside but meaningful on the inside, where it counts, by challenging the conventional notions of beauty and body image for women.
"It's fun and it's funny and entertaining and I feel so incredibly blessed," Ferrera said. "To be acknowledged for it, to know peep are watching it and enjoying it -- it's just a dream for me. This is what I have wanted to do since I was 5 years old. It just reassures me in the power of dreaming. Now I can set my (career) heights even higher." And she was channeling the self-assured Betty Suarez when a questioner tried to pry into her love life. "I don't talk about my personal life. Thank you," she said in a Betty-esque polite-but-firm tone....

Don't ask Terry O'Quinn what's going on in "Lost" in its upcoming fourth season, because he doesn't know. Is John Locke really Jacob? Is he going to somehow kill Jack? Will he ever get near a shower again? I'm telling ya, don't ask because Quinn doesn't know. (And no, winning an Emmy doesn't entitle him to a few free plot points.) Backstage after his win for supporting drama actor, Locke showed off his hot pink shirt and black tie with glittery rhinestones. When asked, Quinn admitted that early on in the show's run he would go on the Internet to see what the fans were speculating about the Deeper Meaning of it all and where the castaways were headed. But not any more. "I'm sated," he said....

Sally Field was feeling strong, confident and not ready to suffer any cliches on Sunday. She made fast work of a question about actresses of a certain (out-of-the-demo) age enjoying a renaissance on cable ("The Closer," "Damages," "Saving Grace," etc.) and why aren't there better roles for women in features and blah blah blah...."I don't listen to any of that stuff. You guys are the ones who are listening to that," Field shot back.

Where fore art thou, Oscar? Jon Stewart had a cheeky response for the reporter who just had to know what it meant to him to be asked to host the Academy Awards a second time. "Whatever emotional hole I had in my soul vanished at that moment and I was complete," he deadpanned. "That's why I decided to do it."...

And thus brings to a close this inaugural edition of live blogging at the Emmys. I'd be remiss without giving a special thank you to the shooters of WireImage, who moved Emmy photos lickity-split last night and thus livened up this blog considerably. Honorable mentions go out to Steve Granitz, Jeffrey Mayer, John Shearer, Jeff Vespa and Todd Williamson.

HBO turned the Pacific Design Center into Thai Town on Sunday night.

Theme of this year's shindig was all about the far east isle of Siam, and the party space was dripping with purple and gold iconography and, of course delectable, and exotic eats. I particularly enjoyed an orange-chicken salad concoction with a light-sweet touch that hit the spot just right after getting parched in the packed-like-sardines press room for three-plus hours earlier in the night.

HBO's party space was packed with stars, execs of all stripes (not just Time Warner folks), and even the dance floor got busy at one point. The Journey power ballad "Don't Stop Believin'" that had such a powerful guest-star role in "The Sopranos" finale was playing (loudly) over the P.A. when I arrived at the party with Variety managing editor Kathy Lyford. Hearing that tune kinda put a slightly bittersweet vibe to the night for me, as if it was really HBO's final-final farewell to the show that put the network into overdrive, and of course it was made all the more poignant by "Sopranos" bagging the top Emmy prize one last time, plus prestige wins in the drama series writing (David Chase, for the finale) and directing (Alan Taylor) categories that it has long dominated.

The whole "Sopranos" gang seemed in great spirits, particularly Chase, who was remarkably open to a few thousand people sidling up to his table to gush about what the show meant to them (me included, and he even offered a smile when I mentioned how cool it is to see his name on "Rockford Files" segs.) Most important, Chase reiterated what he said backstage at the Shrine: Don't hold yer breath for a "Sopranos" movie. He won't say never-ever, but it'd have to be a fantastic idea that would make for a pic worthy of the series. I pressed him on what's next for him. He said nothing in particular, maybe a movie script down the road but nothing's on the front burner.

(Pictured above left: "Sopranos" kids Jamie-Lynn Sigler and Robert Iler; at right, Time Warner prexy Jeff Bewkes and "Sopranos'" Tony Sirico.)