So much of the news surrounding Fox's upcoming Joss Whedon drama "Dollhouse" has been downbeat, you could be excused for forgetting that the show is designed to entertain rather than induce grief-counseling.

Fox asked for a reshot pilot, then decided to launch it and the series in the veritable graveyard of Friday night – the same night that buried Whedon's previous effort for Fox, "Firefly."

But with a sprightly sampling released for critics in advance of Tuesday's session at the TV Critics Assn. press tour, along with some believable spin that the Friday scheduling, which includes a "Terminator: The Sarah Connor Chronicles" leadin, will mitigate audience demands, you could perceive the makings of a backlash to the backlash.

"My initial reaction (to the scheduling) was mixed, I think," Whedon said via satellite from Boston. "I had a bad experience on a Friday night – you might have heard about it. ...(But) I'm very excited about being paired with "Terminator," a show that I love and that shares the same sort of sensibility."

And although "Dollhouse," starring Eliza Dushku in the story of an underground agency that imprints personas on (mostly) unsuspecting people to create (mostly) infallible super-agents, is more serious than Whedon's iconic "Buffy the Vampire Slayer," saying it's humorless would be a stretch.

"The show is much more straight-ahead drama than what we've done before," Whedon said. "(But) we can't fight the funny. The funny is going to win ... partly because that's how articulate people react to difficult situations."

Meanwhile, for fans of Whedon's side project, "Dr. Horrible's Sing-Along Blog," there was more good news.

"As far as 'Dr. Horrible' is concerned, yeah, we'd like to do that again," Whedon said. "It's just a matter of time and the venue."

– Jon Weisman

It's always nice when a pleasant surprise pops up in your inbox late in the afternoon. That was the case with an invite that came out of the blue for a screening next Thursday (July 10) at CAA of Joss Whedon's latest concoction, the made-for-Internet "Dr. Horrible's Sing-Along Blog."

It's a three-parter with name-brand stars, Neil Patrick Harris, Nathan Fillion, Felicia Day and the fabulous Simon Helberg from my new favorite show, "The Big Bang Theory." "Dr. Horrible" seems to be something of a Whedon family hootenanny. It's penned by Joss, his brothers Jed and Zack, and Jed's fiance, Maurissa Tancharoen. Jed and Maurissa are writing partners working for Joss on his day job, the upcoming Fox drama "Dollhouse."

Zack, as readers of On the Air already know, is a comer who is not only endowed with screenwriting in his DNA (his father and grandfather were also in the family biz) but was taken under wing a few years ago by none other than David Milch. Zack (pictured right) worked with Milch on "Deadwood" and "John from Cincinnati," and even wrote "John's" big-wave-wild finale (I'm not ashamed to say that I really enjoyed that show).

In his spare time during the past few months, Zack's been busy working on "Dr. Horrible" and writing a comic book, "Captain Hammer," based on a character from "Dr. Horrible." You can check out his comicbook wordsmithing right here.

"Dr. Horrible," which Joss also helmed, is set to be unleashed on the Web over three days -- July 15, July 17 and July 19. If there's some numerology significance to those dates, maybe we'll find out about it at the screening.

On the "Dr. Horrible" website, Joss explains his reasoning (as only he can) for tackling this project.

Joss Whedon was a goner. He had no intent of going back to the smallscreen, and in fact was trying hard to sort out his options for a pre-strike feature writing offer. Then he got a ring from his faithful friend and former "Buffy the Vampire Slayer" colleague Eliza Dushku, who was looking for some advice on how she should make the most of the development pact she'd signed with Fox and 20th Century Fox TV during the summer.

In mid-September, the two went to lunch at Santa Monica's at Ivy at the Shore, and over a meal, almost by accident, Whedon came up with the concept for "Dollhouse," as Variety's Michael Schneider details in his report on the seven-seg commitment that Fox and its studio sib 20th have given to Whedon's idea for a show about a super-secret (what else?) world of folks who are walking tabula rasa -- blank slates who are programmed with different personalities each time they're dispatched for a mission.

"It was a mistake!" Whedon says. "I sat down with her to talk about her options, and acted all sage, saying things backwards like Yoda and laying out what I thought she should do. But in the course of doing it, I accidentally made one up. I told it to her, and she said, 'That's exactly what I want to do.' "

At the moment Eliza beckoned, Whedon was at work on his fantasy-thriller "Goner," for producers Mary Parent and Scott Stuber at U, and he was fielding a whole bunch of options for a pre-strike feature writing project. Although Whedon didn't have such a grand time during his last hitch at Fox in 2002-03 with "Firefly" (which begat the 2005 U feature "Serenity"), times change and so do networks.

Whedon gamely took a meeting with Fox's Peter Liguori and Kevin Reilly, and walked out with a sizable commitment for a project the net hopes to have in production by the spring -- in an ideal, strike-free world. Fingers crossed.

(Pic of Whedon and Dushku at a 2003 "Buffy the Vampire Slayer" charity event by Albert L. Ortega/WireImage)