Emmy's picks for writing and directing nominees in the series categories are kinda like a state of the craft report card every year. They're often the category where new and innovative programs are recognized long before they crack the more prominent races.

But in a year when Emmy voters seemed to embrace new and different, the choices in the writing and directing heats seem more pedestrian, though some of this year's contenders were so obvious (Bryan Fuller and Barry Sonnenfeld for "Pushing Daisies" Pie-lette, Matthew Weiner and Alan Taylor for the "Mad Men" pilot) as to take some of the suspense out of the race this year. Sonnenfeld (pictured left) and Taylor (pictured right) have already bagged DGA Awards for their work on these pilots.

Sonnenfeld, IMHO, can safely begin rehearsing his acceptance speech for comedy helmer. (Coming from him, it oughta be a doozy.) The competish is strong -- a six-nominee category meaning that there was one tie in the nom ballotting -- but nothing was quite so inventive and visually distinct as that first slice of ABC's "Pushing Daisies."

From my viewfinder, the dark horse in the race could be James Bobin of HBO's "Flight of the Conchords." Bobin, co-creator of the series with Kiwi comedy-rockers Jemaine Clement and Bret McKenzie, is up for the "Sally Returns" episode of "Conchord's" 12-episode frosh season.

Dan Attias nabbed a nom for the "No Cannes Do" installment of "Entourage." Paul Lieberstein has shown that there's no end to his talents by performing, writing and directing segs of NBC's "The Office," and now he's up for helming the seg "Money" Parts 1 and 2 (sounds like a James Brown hit from the early '70s). Also nommed from "Office" is Paul Feig, for handling the season finale, "Goodbye, Toby," which happened to mark the farewell of Lieberstein's character. Michael Engler of NBC's "30 Rock" is up for the "Rosemary's Baby" installment.

Hot off the Academy of Television Arts and Sciences nomination vote-tallying machine, here are the top 10 finalists for Emmy noms in the comedy and drama series heats. The final noms will be announced on Thursday, July 17.

(My 2 cents on the list follows after the jump)

COMEDY

Curb Your Enthusiasm
Entourage
Family Guy
Flight of the Conchords
The Office
Pushing Daisies
30 Rock
Two and a Half Men
Ugly Betty
Weeds

DRAMA

Boston Legal
Damages
Dexter
Friday Night Lights
Grey’s Anatomy
House
Lost
Mad Men
The Tudors
The Wire

The "How I Met Your Mother" mob went to Gotham earlier this week to host a special event for Academy of Television Arts and Sciences members (read: Emmy voters) at the bar that inspired the fictional watering hole MacLaren's on the New York-set CBS comedy.

"HIMYM" creators Craig Thomas and Carter Bays hung out at McGee's Bar and Grill during their early days as staff scribes on "The Late Show with David Letterman."

On Tuesday Thomas, Bays and four out of five "HIMYM" core cast members -- Cobe Smulders, Neil Patrick Harris, Alyson Hannigan and Josh Radnor (Jason Segal was off shooting a pic) -- gathered at McGee's for a screening and Q&A sesh, moderated by the astute Alan Sepinwall of the New Jersey Star-Ledger. Also in the house were "HIMYM" exec producer-helmer Pam Fryman and Dana Walden, chairman of "HIMYM" studio 20th Century Fox TV chairman. Event and afterparty were SRO with more than 200 attendees, according to reliable sources.

(Pictured below, Pam Fryman, 20th Century Fox TV chairman Dana Walden and Carter Bays.)

Now it's really just down to the fate of "Moonlight," because CBS has made it official on pickups for drama "The Unit" and comedies "How I Met Your Mother" and "Rules of Engagement."

"Mother" renewal was never really in doubt, but "Unit" seemed very much on the bubble until the last 72 hours or so and "Rules" was not exactly a slam dunk. Second-year drama "Shark" was the other lingering hold out, but as of last week it was pretty clear that a renewal was not in the cards for James Woods and Co.

POSTED BY STUART LEVINE

First off, I'm a huge champion of "How I Met Your Mother." The cast is terrific, the writing consistently funny and the direction by Pam Fryman is stellar. So speaking from a fan's perspective, last night's episode left me disappointed.

The first time Britney Spears appeared on the show a few weeks back, it was a great piece of stunt casting as showrunners Carter Bays and Craig Thomas integrated her character just enough so that we knew it was Britney but it didn't interfere with how smoothly the rest of the actors work together and it didn't take anything away from the storyline.

Not so much last night. It wasn't that Britney's character -- a young woman who has a crush on Ted but sleeps with Barney to get even -- was involved too much in the episode but, rather, Britney just plain can't act. Period. She looked stilted and foolish in scenes with TV pros such as Neil Patrick Harris and Josh Radnor.

Ratings for "Mother" shot up for Britney's first appearance, and for a show this good that has never received the high ratings it should — series just got the OK from CBS for another season, yeah! — any way to push the Nielsen meter is smart, but last night's episode felt to me as if it had crossed a line in pimping to get viewers.

From Britney's perspective, coming on as a guest star is a smart move. By working on "Mother's" tight sitcom schedule, it helps keep her life straight -- or straighter than usual -- and makes her seem a bit more like a "normal" person and not just tabloid fodder.

But her exposure and rehab felt like it came at the expense of "Mother." I'm hoping it doesn't happen again next season.

POSTED BY MICHAEL SCHNEIDER

vs.

Get ready for the Monday night battle between TV's slightly dweeby "awesome" peddlers.

CBS' critical fave "How I Met Your Mother" has helped restore the term "awesome" into the current lexicon (rescuing it from its use as '80s retro fodder). Neil Patrick Harris' character, Barney, is such a proponent of "being awesome" that Tuesday's TCA panel for "How I Met Your Mother" promised a primer on the path to awesomeness.

But now comes NBC's "Chuck." Not only does "Chuck" lead Zach Levi (above, left) bear a passing resemblance to "HIMYM" star Josh Radnor (right), but the new series includes a character who goes by the name... wait for it... "Captain Awesome."

On stage at the TCA, Harris couldn't resist poking fun at the fact that both shows will now face off Mondays at 8.

"A war is brewing!" he quipped.

Then there's the case of this rather unusual "Family Circus" comic, which ran in papers on Monday. In the post below, Stu writes that Thomas joked during the session that he found the mention "better than an Emmy nomination."

But later, exec producer Carter Bays (who created the show with Craig Thomas) admitted after the session that the cast and crew were a little bit puzzled by the strip.

Were "Family Circus" writers Bil and Jeff Keane simply looking for a hip pop culture reference? Were they trying to make a clumsy statement about the dangers of watching too much TV?

But On the Air might add, what are little Billy and Dolly -- and especially pre-schooler Jeffy and toddler P.J. -- doing watching such a grown-up show in the first place? Shouldn't those kids be watching "How I Met Dora the Explorer"?!

Bays suggests a future "Family Circus" strip: "Instead of watchin' 'Rules of Engagement'... tonight I'll tell you MY 'Rules of Engagement'!"

-- Michael Schneider

POSTED BY STUART LEVINE

Despite the informal press conference setting, Neil Patrick Harris knew there was only one way to dress for the "How I  Met Your Mother" chat session: suited up!

So there was Harris (pictured left) on the dais positioned between show creators Carter Bays and Craig Thomas, all three discussing the awesomeness that is Barney, how Ted and Robin cope after their breakup and what's in store for newly married couple Marshall and Lily.

Critics, at least the ones here at the Beverly Hilton for CBS TCA seshes, weren't shy expressing their fondness for all the characters and were hoping for answers to the big question -- who, exactly, is the mother of "Mother"?

The first installment of season three, which airs Sept. 24, may just start to unravel the secret.

"Episode one will show that we haven't forgotten about the title of the show," said Thomas, not giving away more than that.