Emmy's picks for writing and directing nominees in the series categories are kinda like a state of the craft report card every year. They're often the category where new and innovative programs are recognized long before they crack the more prominent races.

But in a year when Emmy voters seemed to embrace new and different, the choices in the writing and directing heats seem more pedestrian, though some of this year's contenders were so obvious (Bryan Fuller and Barry Sonnenfeld for "Pushing Daisies" Pie-lette, Matthew Weiner and Alan Taylor for the "Mad Men" pilot) as to take some of the suspense out of the race this year. Sonnenfeld (pictured left) and Taylor (pictured right) have already bagged DGA Awards for their work on these pilots.

Sonnenfeld, IMHO, can safely begin rehearsing his acceptance speech for comedy helmer. (Coming from him, it oughta be a doozy.) The competish is strong -- a six-nominee category meaning that there was one tie in the nom ballotting -- but nothing was quite so inventive and visually distinct as that first slice of ABC's "Pushing Daisies."

From my viewfinder, the dark horse in the race could be James Bobin of HBO's "Flight of the Conchords." Bobin, co-creator of the series with Kiwi comedy-rockers Jemaine Clement and Bret McKenzie, is up for the "Sally Returns" episode of "Conchord's" 12-episode frosh season.

Dan Attias nabbed a nom for the "No Cannes Do" installment of "Entourage." Paul Lieberstein has shown that there's no end to his talents by performing, writing and directing segs of NBC's "The Office," and now he's up for helming the seg "Money" Parts 1 and 2 (sounds like a James Brown hit from the early '70s). Also nommed from "Office" is Paul Feig, for handling the season finale, "Goodbye, Toby," which happened to mark the farewell of Lieberstein's character. Michael Engler of NBC's "30 Rock" is up for the "Rosemary's Baby" installment.

Can't help but notice in this year's Emmy noms that the lead drama actress category is dominated by vets. Not that it matters -- two of the five are Oscar winners, one's a five-time Oscar nominee and all are good at their craft -- but I was curious about the age spread.

According to the IMDB, "The Closer's" Kyra Sedgwick is the youngest, born the year that President Johnson signed the Voting Rights Act. "Law & Order: SVU's" Mariska Hargitay arrived the same year the Beatles first played "The Ed Sullivan Show."

Holly Hunter made her debut the year Chuck Berry landed Johnny B. Goode" on the charts. Glenn Close of "Damages" was born the year the Central Intelligence Agency was established (coincidence?). And "Brothers and Sisters" Sally Field (pictured left), the reigning champ in the category, was born the year Winston Churchill famously warned of an "iron curtain" descending across Europe.

Solid as this list is, it's still hard to believe that there wasn't any room for the incredible Connie Britton of "Friday Night Lights" (who was born the year of the Monterey Pop Festival).

Hot off the Academy of Television Arts and Sciences nomination vote-tallying machine, here are the top 10 finalists for Emmy noms in the comedy and drama series heats. The final noms will be announced on Thursday, July 17.

(My 2 cents on the list follows after the jump)

COMEDY

Curb Your Enthusiasm
Entourage
Family Guy
Flight of the Conchords
The Office
Pushing Daisies
30 Rock
Two and a Half Men
Ugly Betty
Weeds

DRAMA

Boston Legal
Damages
Dexter
Friday Night Lights
Grey’s Anatomy
House
Lost
Mad Men
The Tudors
The Wire

Almost every acceptance speech at Thursday's inaugural Television Academy Honors dinner started with a statistic: The rise of HIV infection among teenagers; the number of severely wounded soldiers returning from Iraq; the rate of cancer in people under 40; the prevalence of Alzheimer's disease among the elderly.

The Academy of Television Arts & Sciences' newest kudo (not to be confused with a new Emmy category) aims to honor "television with a conscience." Thursday's gathering at the Beverly Hills Hotel was all about achieving lofty goals and using the electronic soapbox of educate, enlighten, motivate and inform -- but the event itself managed to stay low-key, not too starchy and like a well-produced television program, breezy.  (Dinner at 7, program at 8 and we were grabbing the goodie bags by 9:20. Event producer Phil Gurin deserves a kudo for that.)

TV Academy Honors was the brainchild of ATAS chairman and CEO John Shaffner (pictured in center above with recipients David E. Kelley and Dick Wolf), who explained at the start that he felt it was important for the org that recognizes television excellence via the Emmys to also "honor programs for their humanity and their conscience." Event's debut ceremony was dedicated to the memory of Ronnie Lippin, publicist and wife of longtime ATAS publicity rep Dick Lippin. Ronnie Lippin died of breast cancer last year; the TV Acad Honors idea began as an effort to pay tribute to Ronnie Lippin and her work on behalf of numerous charitable causes.

Inaugural kudos, selected by a 22-member committee co-chaired by Shaffner, went to Discovery-BBC's "Planet Earth"; HBO's "Alive Day Memories: Home from Iraq"; ABC's "Boston Legal"; Lifetime telepic "Girl, Positive" and series "Side Order of Life"; CNN's "God's Warriors"; "Law & Order: SVU" seg "Harm"; Hallmark Hall of Fame/CBS' "Pictures of Hollis Woods"; and Showtime docu "Shame."

The standing ovation of the night went to the half-dozen servicemen and women in the crowd in connection with "Alive Day Memories." Exec producer Dawn Halfaker (pictured at podium), an Army First Lieutenant who lost an arm during her service in Iraq, recalled being shocked when she was approached by HBO's docu maven Sheila Nevins about getting involved with the project. "I didn't think anyone would be interested in my story," Halfaker said. "I'm just a soldier."