Yikes, awkward timing for the season finale of "Weeds." Showtime skein's third-season closer involves our favorite gated-community suburbanites fleeing from a raging wildfire. Episode titled "Go" is set to air Nov. 19.

Showtime took pains to note in its listing release issued Wednesday that the segs were shot over the summer, and in no way is the show trying to grandstand on the real-life tragedy that hit so many in Southern California just a few days ago. In fairness to the show, wildfires are  a fact of life in this state, so it's a natural plot point. But now that "Weeds" maven Jenji Kohan and the rest of her scribe team are on strike, show's probably hard-pressed to tweak even a line or two if there's one that hits too close to the recent headlines.

I have to confess to being way behind on my "Weeds" viewing this season, but the season finale synopsis sounds intriguing enough to make me fire up the DVR this weekend and reconnect with our friends in Agrestic. I have to find out why Kevin Nealon's character appears to be getting romantic with his banjo.

(Pictured left, Mary-Louise Parker and Alexander Gould. Pictured right, Kevin Nealon.)

Here it comes, the debut of a second actress with a hyphenated Mary- name on Showtime's "Weeds."

As evidenced by this clip kindly provided by Showtime (click right here), former tot-star Mary-Kate Olsen makes her grownup TV debut in the Sept. 17 seg of "Weeds," playing the fundamentalist Christian hottie Tara Lindman in a 10-episode arc --- which basically means the remainder of the Emmy-nominated skein's third season.

The Tara character is, of course, a love interest for Hunter Parrish's Silas (pictured at left with Olsen), the older son of Mary-Louise Parker's drug-dealing soccer mom character, Nancy Botwin. As Tara tells Silas in their first meeting, when he inquires about the hood ornament-size cross hanging around her neck, "I'm tight with the Lord," but she also appreciates the pleasures of smoke. And eye makeup.

What is it about Mary-Louise Parker? What is that hoo-doo she does so well? The third-season opener of Showtime's "Weeds" is a Mary-Louise tour de force of sidelong glances, mischievous grins, heavy sighs and "oh fucks" that bespeaks the weariness of working moms everywhere. Who wouldn't get tired chasing a teenager and a pre-teen boy around all day, keeping tabs on them and trying to make a living all at the same time.

What's always been fun about "Weeds" is that it's a crazy suburban fairy-tale about a sexy-sweet pot-dealing soccer mom. Series creator-exec producer Jenji Kohan was smart to ground "Weeds" from the get-go in the heart-breaking story of a woman who was truly living the dream with a husband she loved madly and two beautiful sons, and then wakes up one day (in the pilot) finding herself a widow and forced to make her own way in the world, and to make enough of a living to maintain the comfortable lifestyle that her family has become accustomed to, or more accurately, the only way of life they've ever known. In the dealing with this smack-in-the-face wakeup call, Parker's Nancy Botwin discovers a very real world far removed from the neatly trimmed lawns and tract houses of planned suburbia.