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April 27, 2008

Coachella Day Two at a Glance

Day Two at a Glance:

HOURS AT THE POLO FIELD: 12 hours (11:15 a.m.-11:45 p.m.)

TEMPERATURE: A high of 99 tempered by a frequent cool wind beginning around 3:30

ACTS SEEN: 14

THE BEST: Cafe Tacuba

RUNNER UP: Carbon Silicon

MOST INSPIRED: DeVotchKa

THE DISAPPOINTMENT: Portishead

BALL CAP ROUNDUP: Not sure if it's a sign of team spirit or regional representation, but Major League Baseball caps far outdistanced the number of NBA and NFL caps. Observed between the hours of 2 and 6 on Saturday were these: 10 Dodgers; eight Giants; five Angels; three each of Red Sox, A's, Blue Jays, A's and Padres; two each for Pirates, Cubs, Cards and Tigers; and one each f Yankees, Nationals, Orioles and Brewers (me).

RANDOM THOUGHT: The '70s are everywhere.  Most obvious are the bookings of Kraftwerk and Mick Jones' new band with Gen X's Tony James, Carbon/Silicon. But it's in the Pink Floyd-style relationship between soothing vocals and intricately weaved instrumentation of Minus the Bear; the Elvis show band  style of Dwight Yoakam, the  CTI Records meets Terry Collier soul-folk in Cinematic Orchestra; and the irony free cover of the Bee Gees' "How Deep is Your Love" by the Bird and the Bee.

Posted by Phil Gallo

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Comments

The Disappointment: Portishead? Are you F'in deaf and blind. You should get a new job.

Have to write something to raise some ire. Actually, Beth was in great voice as I said in my review. The overall performance was good but I have questions about the material and I really had a problem with the way the new and the old fit together - specifically that they did not. Pacing is a part of giving a great show and this was too jarring too often. Considering that the only people who knew material were file-sharers with pre-release copies of the music, it seemed like it would have made more sense to play the album straight through. Disappointment refers to meeting expectations.

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The Set List is written and compiled by Variety associate editor Phil Gallo. Gallo, based in Los Angeles, writes about the music business for Daily Variety and reviews concerts, television shows and theater.

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