March 07, 2008

Gamble & Huff: The Love Train Of Philly Soul Keeps Adding More Passengers

Gamblehuff The overdue induction of two architects of Philadelphia soul into the Rock and Hall of Fame syncs nicely with the 45th anniversary of the meeting of producer-songwriters Kenny Gamble and Leon Huff.
For the uninitiated, Gamble & Huff personified soul music in the 1970s, created a distinct energy and sultriness in the sound that crossed over consistently in the days of less regimented radio. They took the Motown model, which was crumbling as the label shifted to L.A. from Detroit, and extended it to encompass albums as well as singles on their Philadelphia International Records label. G&H made the soul equivalent of Pink Floyd’s “Dark Side of the Moon” with the O’Jays’ “Ship Ahoy,” an album filled with lengthy, sonically shifting tracks that connected together thematically. Disco was their commercial downfall, but the best of their songs have not only aged gracefully, ther commercial vitality has become enhanced over time.
Sony BMG’s Legacy Recordings, which inked a deal with Gamble and Huff last year, is preparing to re-release their Philadelphia International recordings in droves. Gamble and Huff,  being inducted Monday as non-performers in the Hall, have been tubthumping the catalog since Grammy week, when a reception for them attracted the likes of Jimmy Jam, Elvis Costello and Billy Paul as the party turned into a performance, demonstration and master class.
This week saw the release of a hits and misses packages: "The Sound of Philadelphia: Gamble & Huff's Greatest Hits" features tracks by the O'Jays, Harold Melvin & the Blue Notes, Billy Paul, the Three Degrees and others; "Conquer The World: The Lost Soul of Philadelphia International Records" features lesser-known PIR artists such as Bunny Sigler, Ruth McFadden, the Soul Devaliants and Love Committee.Gh
“One of the unique things about Gamble and me, we tailored (songs) for specific artists,” Huff says. “It was time to work for Billy Paul, time for the Three Degrees. Everything was specifically for a certain artist. The publishing company was called Tailor Made, that’s how specific it was.”
The doors opened by Cameo-Parkway, the first famous Philly record company in the rock era, were filled literally and figuratively by Gamble and Huff. Gamble credits the C-P model as a key to their structure; after their early success, Philadelphia Int’l purchased the building that housed Cameo-Parkway and made it the PIR headquarters.
“Cameo-Parkway really was a major force with Chubby Checker, Dee Dee Sharp,” Gamble notes. “We grew up on that environment. Now, every time I go in, I swear I see the ghosts (of the former stars)."

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February 26, 2008

Lou Reed To Share Singing Tips With Leonard Cohen at Rock and Roll Hall of Fame Ceremony

Leonardcohen Loureed The Rock and Roll Hall of Fame, which has one its weaker classes this year, has announced the artists who will induct this year’s honorees on March 10 at the Waldorf-Astoria Hotel.
Lou Reed will induct Leonard Cohen; Justin Timberlake will wax rhapsodic about Madonna;Ben Harper will heap praise on the late harmonica master Little Walter; John Mellencamp will hear Billy Joel's thoughts on small towns, middle America and leftist politics; the iceman, Jerry Butler from Chicago, will toast the long overdue Kenny Gamble and Leon Huff of Philadelphia; John Fogerty can share thoughts on making the same three chords work over and over for the Ventures; and Tom Hanks can detail the Playtone Galaxy of Stars and wonder what happened to the O'Neders when he inducts the Dave Clark Five.

September 27, 2007

Madonna, Mellencamp, Beasties on Rock Hall Ballot

Mellencamp The Rock and Roll Hall of Fame has sent out its ballots with Madonna, the Beastie Boys and John Mellencamp leading the way. Returning to the ballot are the previously overlooked  Leonard Cohen, Africa Bambatta, the Ventures, Donna Summer, Chic and Dave Clark 5.
The cutoff point for eligibility is now 1982, which doesn't seem all that long ago.

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The Set List is written and compiled by Variety associate editor Phil Gallo. Gallo, based in Los Angeles, writes about the music business for Daily Variety and reviews concerts, television shows and theater.

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