October
14
Observations on Tina Turner's Current Show

The morning after Tina! hit Staples Center - and before I write my review - I had a few thoughts.
Telling patrons to show up at 7:30 - the ads say the show starts promptly - and not letting them go until 10:40 sounds like a three hour show. Tina is onstage for one hour and almost 50 minutes.
Video advertisements for Amway beauty products is wrong, no matter how much they paid to sponsor the tour. A good two-thirds of the house is paying $150 a ticket. They should not be subjected to advertisements during the pre-show and intermission.
Everyone, from the lead guitarist to the lighting designer, was introduced by name - except the video director, whose work made this look like the world's most exciting concert.
"Unplugged" segments have mostly been limited to performers who write their own songs. Tina's finely wrought ballad rendition of the Beatles' "Help!" suggests the format may have a life for interpreters.
Live by the hydraulics, die by the hydraulics. When the curtain refused to close at the end of the first half, Tina had to ride down the shaft in full view of the audience with the house lights up. A bit embarrassing.
Same song ("We Don't Need Another Hero"), different problem. Showing video of yourself from 22 years ago while you are wearing a similar costume - and what appears to be the same wig - is a hard one to pull off without embarrassment.
The Good: River Deep - Mountain High, What You Get is What You See, Better Be Good to Me, Private Dancer, Help!, Undercover Agent for the Blues, Let's Stay Togther, I Can't Stand the Rain, It's Only Rock and Roll, Nutbush City Limits
Eh: Acid Queen, We Don't Need Another Hero, Jumpin' Jack Flash, Proud Mary
The Questionable: Steamy Windows, staged fight with security by street acrobats, What's Love Got to Do With it (pitchy), Goldeneye (tuneless), Addicted to Love (cliched), Simply the Best (drags)


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