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Eye on the Oscars: Music

The Eye on the Oscars focus at Variety today turns to music, led by a feature on scoring two dialogue-free projects, "Samsara" and "Blancanieves" ...

With nary a line of dialogue between them, two films in 2012 -- "Samsara," a doc that marvels at the wonders of Earth and the idiosyncrasies of its human inhabitants, and "Blancanieves," a reimagining of Snow White in 1920s Seville, Spain -- relied on the cadence of their images and depth of their score to move sentiment. ...

Read the rest of the story here, then check out these other features:

 • Danny Elfman is finishing his busiest year ever.

 • Spotlights on Mychael Danna's work on "Life of Pi," Fernando Vasquez and "The Impossible," Geoff Zanelli and "The Odd Life of Timothy Green," Thomas Newman and "The Best Exotic Marigold Hotel" and "Skyfall," Howard Shore and "The Hobbit," and John Powell and "The Lorax."

 • A look at Adele and her heralded title song for "Skyfall."

 • The songwriters of 15 key songs in the movies this year talk about their approaches. Keith Urban, Katy Perry, Karen O, Jon Bon Jovi and Glen Hansard are among those quoted.

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Christy GroszA native of Los Angeles raised by two parents and "Hill Street Blues," Jon Weisman ankled his scriptwriting career and began working for Variety in 2004, subsequently serving as associate editor of features and television reporter before becoming awards editor. He promises not to use this platform to retroactively campaign for Oscars for “The Misfits,” though he’d feel justified in doing so.