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Top directors talk about their biggest challenges

Anneh
Today's Variety Eye on the Oscars: Director spread features 20 of 2012's top directors talking about their biggest challenges and how they met them — along with a feature offering director perspective on some of the year's biggest scenes.

A sample:

NolanChristopher Nolan had long resisted the idea of featuring Selina Kyle, aka Catwoman, in "The Dark Knight Rises," wary that the character's campy mythology might clash with the film's intended tone. Eventually his brother/co-writer, Jonathan, persuaded him otherwise.

"It finally clicked that she's just a femme fatale," the director says. "And the femme fatale is a film-noir conceit that all my films have embraced in some way. Once I realized Catwoman could be a con woman, a grifter, I embraced it."

The challenge, as with other elements of Nolan's Batman trilogy, lay in rendering Bob Kane's comicbook iconography in plausible real-world terms. For Catwoman, that meant developing a uniquely deadly fighting style and a sleek, functional costume that subtly incorporated feline characteristics (high-heeled boots equipped with defensive blades, mask goggles shaped like cat ears). But the puzzle wasn't complete, Nolan says, until the casting of Anne Hathaway.

"I realized this is somebody who can give you the realistic dramatic characterization of this person. She has this incredible physicality, but she can also tell you who this person is."

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Christy GroszA native of Los Angeles raised by two parents and "Hill Street Blues," Jon Weisman ankled his scriptwriting career and began working for Variety in 2004, subsequently serving as associate editor of features and television reporter before becoming awards editor. He promises not to use this platform to retroactively campaign for Oscars for “The Misfits,” though he’d feel justified in doing so.