Return to Variety.com

« BAFTA follow-up: The Spielberg ambivalence continues | Main | Spielberg nabs elusive critics group win »

BAFTA follow-up: Surprises at the noms

Here is a quick and dirty look at the BAFTA nominations, category by category.

Film: With five spots to give to the acknowledged leading six contenders ("Argo," "Life of Pi," "Lincoln," "Les Miserables," "Silver Linings Playbook" and "Zero Dark Thirty"), "Silver" gets left out.

Director: Two of the five nominated pictures lose out on director, with Steven Spielberg and Tom Hooper replaced by Michael Haneke ("Amour") and Quentin Tarantino ("Django Unchained"). 

British film: "Anna Karenina" is alive. And hooray for the "Seven Psychopaths" nod.

Film not in the English language: Yes, it's a world in which "The Intouchables" and "Rust and Bone" can both be nominated.

Animated film: With only three nominations, popular Oscar contenders "Rise of the Guardians" and "Wreck-It Ralph" are sidelined in favor of "Brave," "Frankenweenie" and "ParaNorman." Was it about alphabetical order?

Lead actor: John Hawkes ("The Sessions") and Denzel Washington ("Flight") are among the most noteworthy absences. 

Lead actress: Given the "Anna Karenina" support, you might have expected Keira Knightley here, but nope. None of the three big Ws – Quvenzhane Wallis, Naomi Watts and Rachel Weisz – either.

Supporting actor:  Nothing too shocking here, except perhaps the omission of Robert De Niro ("Silver"). 

Supporting actress: No one from "The Best Exotic Marigold Hotel," including Maggie Smith. 

Original screenplay: Writers Guild nominees John Gatins ("Flight") and Rian Johnson ("Looper") are out.

Adapted screenplay: A nod for Benh Zeitlin and Lucy Alibar of "Beasts of the Southern Wild" knocks WGA nominee Stephen Chbosky of "The Perks of Being a Wallflower" out. 

Comments

The comments to this entry are closed.


About

Christy GroszA native of Los Angeles raised by two parents and "Hill Street Blues," Jon Weisman ankled his scriptwriting career and began working for Variety in 2004, subsequently serving as associate editor of features and television reporter before becoming awards editor. He promises not to use this platform to retroactively campaign for Oscars for “The Misfits,” though he’d feel justified in doing so.