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In case you missed 'ems: Race to the finish edition

-- Kate Aurthur of BuzzFeed writes a wonderful, personal remembrance of attending the 1980 Academy Awards, for which her late father, Bob, had been nominated for co-writing and producing "All That Jazz."

-- That offscreen voice you hear at the Oscars will belong to Cedering Fox, who will be this year's live announcer.  "A big dream of mine came true when I was selected to be the voice of the 2008 Democratic National Convention at Pepsi Center in Denver," Fox said. "After that, there was only one more job I really coveted - the Oscars. I had an out of body experience when my agent called to tell me that I had the job. Live announcing is really fun, and this has to be the coolest job on the planet."

-- An analytical preview of the advertising you'll see on Sunday's long Oscar night comes from Marc Graser of Variety.

 -- Ken Burns might not be headed to this year's Oscars, but as Ted Johnson writes for Variety, his "Central Park Five" has still made a significant impact via its journey through the courts. 

-- At the New Yorker, former Wired editor Nicholas Thompson recalls the journey of Joshuah Bearman's "Argo"-inspiring story to the magazine.

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Christy GroszA native of Los Angeles raised by two parents and "Hill Street Blues," Jon Weisman ankled his scriptwriting career and began working for Variety in 2004, subsequently serving as associate editor of features and television reporter before becoming awards editor. He promises not to use this platform to retroactively campaign for Oscars for “The Misfits,” though he’d feel justified in doing so.